Ansise's dream of motherhood turns into an obsession. But she has married an impotent man. She tries to get pregnant anyway. She even tries to work as a prostitute and goes to a local witch. But the real problem is that an evil entity called Pombero has fallen in love with her, killing all the men crossing her way.
Mónica makes a living as a prostitute in the city. One day she travels to her native fishing village in Bahia, Brazil, where she meets an old love, a lonely fisherman who offers her his house. But her pimp follows and threatens her happiness. She must decide her destiny between the two totally different men.
When Alicia is left alone with her little son, she finds herself harassed by society. She travels to Panama, where she starts a chain of extortions from men she has first seduced. The film was shot in Panama, and was one of many prohibited films of that era starring the Argentine actress Isabel Sarli.
Delicia (Isabel Sarli) is a worker in a meat-packing factory. After making love to her boyfriend, she is raped by a worker on a bed of frozen cattle carcasses in the refrigerator. Her lover, an idealistic artist, discovers the assault and exacts his revenge on the criminals in a fury of fist fights.
Isabel Sarli works in a whorehouse and has flashbacks about her troubling earlier years. She found herself caught between two desperate, lonely men – a gaucho and a horse thief. The original film from 1962 by Leopoldo Torre Nilsson was imported to the USA. The slow parts were cut and nudity added.
The industrial revolution's impact on a small town in Paraguay. The arrival of the boss's young wife at the workshop, where the workers are being exploited, exposes the accumulated tension. Isabel Sarli’s first role for Armando Bó. A controversial nude swim was the first full frontal nudity scene in Argentine cinema.
Delirious Kitsch Klassic, where Isabel Sarli plays a crazed nymphomaniac from hell. Carlos marries her, despite her warnings of being “possessed”. She has affairs with both men and women. In love with Carlos but unable to control herself, she jumps off a cliff... but immediately returns as a ghost.
In a role performed with wild abandon, Isabel Sarli topples off a boat in a storm and stumbles upon José (Armando Bó), a self-professed woman-hating hermit who has abandoned civilization for prayer and reed farming. Sarli prances around in a low-cut dress, managing to look glamorous even in the jungle.
%20(736x1024))
.png)
%20(96x96))
 1.png)